Brazilian music is famous worldwide — from bossa nova, to choro, to samba.
Bossa is cool, choro is amazing, but my favorite things about samba is that despite being “pop music” it still has complex rhythms and harmonies.
My top favorite thing is the prevalence of the 7 stringed guitar and their use of counterpoints (i.e., parallel melodies).
I love how what (I think) started as guitarists just playing harmonies, turned into them improvising bass lines and counterpoints every once in a while, which eventually became them doing MOSTLY counterpoints and bass lines and barely playing the harmony lmao.
These bass lines and counterpoints, from what I understand, are often times arpeggiations of the chords and so forth, but they add such an amazing effect to the music.
Examples:
- This guy solo playing over a recording.
- This solo guitar + singer.
- Most music by Cartola which features the absolute timeless 7 stringed legend Dino. This one is a classic.
Shoegaze.
The waves of euphoria I feel being blanketed in a wall of melancholic distortion and fuzz makes my brain go brrr.
I just love shoes
Any metal with growing. I don’t care for lyrics unless they are funny. This applies to music where you can actually hear them too.
Try suggesting a metal band too extreme for me. I don’t like the lo-fi black metal because of the lo-fi part.
My theory on metal:
Metal is 90% terrible / discordant background, with 30 seconds of pure blissful harmony that you just wouldn’t appreciate if that 90% terrible contrast didn’t exist.
With time, and repeated exposure, you pick up on the small harmonies within that discord that will continue to blow your mind for the next 10 years as you recognise more patterns in the chaos.
This usually means that your least favourite song by Metal Band X a decade ago is now your favourite, and your most favourite song of theirs a decade ago now sounds like a mere nursery rhyme.
/endtheory
Blues, because it has so widely influenced other forms of music.
“The blues has become the basis for nearly every form of American popular music over the past 100 years: jazz, R&B, rock, hip-hop.”
My favorite new blues tune:
I love many genres of music, so the open ended creativity in the downtempo electronic scene is where I usually find myself regularly being rewarded with something that feels new. Any genre or mix of many can be worked in and explored with the gloves off. And I love deep groovy bass work.
I also can’t get enough of electronic downtempo/chillout/lounge music, mainly prefer instrumental stuff but if it’s gotta have vocals then make them female. got any artist recommendations? I love all the old Pork Records stuff (Fila Brazillia, Baby Mammoth, Leggo Beast, Bullitnuts), and Elektrolux records (Fresh Moods, Guardner, Index ID, Naoki Kenji, The Sushi Club), Tosca, Kruder & Dorfmeister, Peace Orchestra, Nightmares On Wax, Bonobo, etc.
I usually lean more into the psychedelic side as I went deep into the psytrance scene in my twenties, like Ott, Shpongle, Bluetec, Ishq then had a major trip hop phase with Morcheeba, massive attack, Portishead, RJD2 and many artists you mentioned. Supertask has been one of my recent finds that has been impressive. Mostly I am song to song not heavy into particular artists. Here is a small platter of artists you haven’t mentioned.
https://open.spotify.com/playlist/4kFtWXruto5D6tbFDaMMXq?si=ei3olPlcT8i3vKs0mCAe1g&pi=u-cqsPkzARTy2G
Murder ballads. I don’t know that it’s a genre of music per se, so much that it’s a subject that people have sung about across different genres. It’s just so antithetical to what we normally consider music, normally it’s love songs and such. Epic examples include:
- In the Pines (famously covered by Nirvana)
- Violent Femmes - Country Death Song
- Mack the Knife (Louis Armstrong version is the best)
Pat Boone - Moody River?
Powerpop. What’s not to like? Jangly guitars, vocal harmonies and killer hooks.
It’s hard to pick a favorite, but right now I’m really into Funk. Funk as a whole, definitely, but the subsect that is Bubblegum Funk is just so relaxing and chill, I’ve been listening to it while working lately.
Dreamcore
I can’t really describe it other then it tends to be dreamy, buzzy, otherworldly, tends to use binaural beat type sounds, vestibular. If you liked Earthbound’s music you’ll probably like it a little
Sort of similar to lo-fi and muzak but it sounds qualitatively distinct to me. I find it very soothing and relaxing
Bach. Both easy to listen to and a never ending trove of new discoveries. Emotional and yet silly. Spiritual even for an atheist. Simple yet cerebral. Occasionally melancholy yet always life affirming. Rule bound, yet jazzy.
Metalcore.
I love the raw emotion you can hear and feel in harsh vocals, usually the lyrics and themes explored in this genre are best expressed with screams, and sometimes its the only appropriate way to rail against injustices and corruption or express the anguish and headache of emotional struggles.
I also love the contrast that clean vocals provide, usually with pop-like hooks soaring into catchy choruses or just to really bring a juxtaposition with the harsh vocals to give even more depth to the things that are sung and the things that need to be screamed. And sometimes the heart wrenching emotion that the cleans can provide [listen to Gone With the Wind by Architects]. (Note: not all metalcore has both clean and harsh vocals, but often a combination of both)
And the music itself is high energy, driving beats rapid double bass drum patterns and catchy guitar riffs with often unpredictable tempo changes and transitions to take you by surprise and keep your brain buzzing with anticipation, and not to gloss over the breakdowns. Oh when that tempo drops, guitars chugg and the drums start crashing china cymbals like a thunderstorm erupting around your head and you just feel the need to bang your head feeling like your heart is beating out of your chest and electricity is coursing through your veins.
Anyways, i think its pretty good music.
For me it’s Irish traditional music. Aside from having an interesting history, the style often takes a very high level of musicianship to play well. A single monophonic instrument can play a tune and the fast-moving stream of notes can simultaneously spell out melody, counterpoint/call-and-response, and harmony, as well as providing a strong rhythmic pulse (it is music to dance to, after all).
Trance
Baroque
