I’ve basically been ordered to pick up any fiction book and read, after a friend discovered I’ve not read anything but non-fiction for a decade.

The ones I’ve enjoyed in the past have been short, fantastical or sci-fi (think Aldous Huxley, Ian McEwan), but crucially with amazing first person descriptive prose - the kind where you’re immersed in the writing so much you’re almost there with the character.

I liked sci-fi as the world’s constraints weren’t always predictable. Hope that makes sense.

Any recommendations?

Edit: I’m going to up the ante and, as a way of motivating myself to get off my arse and actually read a proper story, promise to choose a book from the top comment, after, let’s say arbitrarily, Friday 2200 GMT.

Edit deux: Wow ok I don’t think I’ve ever had this many responses to anything I’ve posted before. You’ve given me what looks like a whole year of interesting suggestions, and importantly, good commentary around them. I’m honouring my promise to buy the top thing in just under 4 hours.

  • Slotos@feddit.nl
    0·
    8 months ago

    Adding to the pile.

    Peter Watts. Most of his works are available on his site for free - https://www.rifters.com/real/shorts.htm

    Greg Egan. Start with Diaspora.

    Alastair Reynolds. I recommend starting with short fiction in Revelation Space and looping back to main novels. I accidentally approached it that way, and the experience of all the stories linking together was downright magical.

    Charles Stross’ “Neptune Brood” explores the idea of debt under the guise of a space opera-ish action. Afterwards, Glasshouse and linked books will present a different existential crysis to mull over.

    Cory Doctorow’s Little brother is an excellent book to follow 1984 with. And a great start to the rest of his biography.

    N. K. Jemisin’s “Broken earth” was quite a treat, prose- and story-wise.

    Ann Lecke’s “Imperial Radch” is a brain-twister, especially for someone whose native language is gendered all throughout. It was fun giving up on information I’m used to have in words.

    Pierce Brown’s “Red rising” has one of the best flowing prose I’ve read. Do mind that the story was initially planned to be a trilogy, and it clearly shows in narration.

    Mark Lawrence’s everything. “Power word kill” is a great play around DnD, and “The broken empire” has the most loathsome protagonist you’ll ever root for.